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dc.contributor.authorNyendick, Petra
dc.date.accessioned2016-02-23T20:37:11Z
dc.date.available2016-02-23T20:37:11Z
dc.date.issued2011-11-21
dc.identifier.urihttp://hdl.handle.net/10484/11985
dc.description.abstractIn 1984, philosopher, author, and art critic Arthur Danto published an essay entitled "The End of Art". In this work, Danto stated that a certain history of western art had come to an end. He suggested that the defining moment of the death of Modernism was initiated by Andy Warhol's Brillo Box (figure 1 ), dated 1964. "Art had raised, from within and in its definitive form, the question of the philosophical nature of art."1 Brillo Box asked the questions: What is art? Why is this art and not simply an object found in the grocery store? Danto believed that art had asked the last and ultimate question about itself, pondering its own existence. If art was an imitation of reality as the Modernists believed, then Brillo Box was the last place left for art to go. No longer imitating reality, art had become reality, indistinguishable from any common found object. Danto may have marked this as the end of Modernism but for many theorists it signaled the beginning of Postmodernism.2en_US
dc.language.isoen_USen_US
dc.subjectart, brillo box, grids, mapen_US
dc.titleThe History of the Griden_US
dc.typeArticleen_US
refterms.dateFOA2021-06-02T15:28:04Z


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